.tHE .sIRIUS .cYBERNETICS .cORPORATION
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DO WE NEED DIVERSITY?
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The following thoughts came to my mind after reading the suggestions at the DHS
BBS about merging the 3 existing diskmags on the Atari Scene into one.
I already expressed a few of my thoughts on the BBS right in that discussion but
while thinking about this topic, again, I found out more and more views onto the
things.
At first, let's focus a bit onto the todays Atari diskmag scene.
Right at the moment there are still 3 major magazines released that cover
especially the demo scene, Alive, Chosneck and UCM. I don't know if there are
still more magazines around but I hardly doubt that, at least diskmags that
cover the scene itself. Many of the "ordinary" magazines with topics about
everything as well as language specific magazines died over the last time, as
they were run off topic and readers.
If you compare the current magazines, Chosneck is, while using the Falcon
hardware completely, the high end publication on the technical side, easy
comparable with actual diskmags on PC and Amiga.
Alive and UCM are using the same shell on the Atari ST that is already 5 years
old now but got some major bug fixes over the last months.
This makes both magazines looking quite similar. But is this enough to say we
don't need two of them?! I hardly doubt that!
To back up this view we have to step some way deeper into the business. Let's
turn back the wheel of time a bit.
1998... We had also 3 major diskmags, Maggie, Toxic and UCM. Since Toxic was
published in french language, it was already loosing its ground and so we had
two "number one contenders". Both of them changed a lot over the last time, so
Maggie was turned inside out by the heavy support of the Reservoir Gods,
including the creation of a new shell on Atari Falcon and UCM was turned into an
english and mainly scene oriented magazine short before.
Since all 3 magazines were around already quite a long time, they all formed a
quite impressive own writers staff and formed all their very unique feeling and
style. While Toxic was already falling out of competition because of the
language barrier, Maggie and UCM both had a big bunch of fans and groupies,
because of their special style. The colourful and funny of Maggie and the dark,
sarcastic and gloomy of UCM.
1998... Yes, it was the year of the diskmag war between Maggie and UCM that
brought both magazines to new hights and left the Atari scene cooking like hell.
But somehow all was running a bit out of order and now, 5 years later and a bit
more mature (arf) this war just brought only loosers to the scene.
The ongoing material battle needed a big ammount of work on the mags and because
of several reasons the driving heads behind both mags weren't able to offer the
needed time to hold up the standards that were set in this battle anymore and so
1999 the scenery suddenly changed a lot.
Maggie was left alone by the Reservoir Gods or better by Mr.Pink and this
knocked the magazine some way out. And I, moondog, left as well and STsurvivor,
former main editor of Toxic, took over the job being the main editor of UCM.
This brought new problems as both magazines weren't able to hold their former
standard, not because of the writers and editors, but because of the changed
style. The war campaign suddenly ended up as the war drivers, Mr.Pink and
moondog have left the ring. The topic was some kind of "back to business" or
"back to reality"...
While UCM was kicked out quite regular and was living from the quite constant
writers staff, Maggie was suffering quite hard, but after all both mags lost
their former quality. Maggie didn't matched it to be released that often anymore
and the issues of UCM were going smaller and smaller as also several writers
left the staff as they didn't felt at home anymore after I left as main editor.
Just a word at the side... Toxic died as diskmag too at this times...
2ooo... the rapidly falling quality of Maggie and UCM called me back onto the
plan and I started to check out if there would be a need for a new magazine.
This was the mysterious InSTabil project. And I have to admit, there was a
bunch of people around that liked this idea as Maggie and UCM came closer and
closer in their style. The idea to take over UCM by storm was left out to start
no new quarrels, but suddenly there was no need to do so anymore.
In autumn 2ooo Maggie and UCM both were given up to form Alive, the new and at
this time only scene diskmag left on the Atari scene.
Alive was running right from the start under a good sign as it had a very
powerful team of editors. This merging brought the mag very good possibilities
to survive but took away every diversity at the diskmag scene as all reports and
reviews were taken just from one point of view, if you don't count the single
writers points of view.
This was laying in the fact of the quite moderate style of the two main editors
and the writers that were left of the former teams and merged in too, but in
fact Alive was running under the touch of UCM as it gathered parts of the former
UCM writers team as well as the UCM shell.
2oo1... The fact of having just one magazine left covering the scene stuff was
calling back some names onto the screen. My InSTabil project was jumping into
the hot phaze and Grey, also a former UCM writer, came back to live.
And suddenly, and also because of the heavy demand by many people, two "new"
magazines popped up again. InSTabil was dropped as name and UCM was reactivated
and with Chosneck another -real- Falcon magazine was released.
And the people really liked the new situation, to have -again- the possibility
to enjoy completely different styled magazines and to read a completely
different kind of views. Alive and UCM both were using the same shell but it's
still mainly about the contents that counts.
Unfortunately there were new problems coming up. As Alive gathered a part of the
former UCM posse, many former UCM writers were still around but gave up writing
articles, and finally Grey was also an old UCM writer, the "market" to recruit
new writers was (and is) damn small.
Furthermore I think all the former quarrels have left a bitter taste to many
people so that they decided to stop writing things at all.
While Grey was trying to form a new team of writers (that interestingly gathered
also reactivated former UCM writers) and seems to have a little success with it,
all tries to create a new and stable writers team for UCM fucked up.
Also the fact to release UCM under the label of .tSCc. didn't matched it to
reactivate new possible writers, for example coming out of the group itself. My
tries to get old writers back into the ring, that were very hard supporters in
the past, fucked up and new stable writers were not found so far... a bit
problematic was even the fact that the support from the group itself was
shrinking with every released issue.
But as much as many people liked the come back of UCM that much the critics are
rising with the time because of the mentioned problem above. Interestingly they
are coming at first from people that were stuck in the UCM team before and are
now writing for Alive for example and then from people that are doing nothing at
all. In fact everyone can write for what publication he wants, I see no problem
in this but it seems as some people are overstretching this position a bit...
In fact it isn't easy to hold a magazine alive nearly without any support on
articles. But isn't it the major point that it IS still alive?! Don't you think
it can't be the reason of missing writers and so missing diversity in a magazine
itself to stop producing it?
You as readers should be really lucky about the fact that we still have 3 mags
on the Atari scene, esp. 3 mags that offering such a different style in the way
they are written. Sure, it is hard for every existing magazine on Atari and I
doubt it will be easier in the future. But asking to merge things into one that
are able to survive in their own style, at least at this special moment, is a
bit killing something. Sure, we could merge the remaining magazines into one,
but take a look at the papermagazine market. They merged as long as there was
something to merge and mix together, but if THEN the magazine quits, nothing at
all is left. If one of the existing diskmags would quit, at least two others
would be left and the NEEDED diversity would survive.
After all, at last point, it is quite demotivating to read such suggestions as
it seems all the works you stuck into making the magazines running are a bit
wasted. I just wonder why the complaining ones don't kick their own asses to
support the remaining magazines a bit more. It isn't only OUR, the editors, job,
to entertain you all. Originally it was thought that anyone can share his ideas
and thoughts about the scene and its works in the magazines but today only a few
people still get this point and overall use it.
Obviously bulletin boards and forums are more catchy as to write down some stuff
for a magazine. Esp. if you look how much work and ideas are put into all the
long (and often senseless) discussions on the several BBS's you start to wonder.
On the one hand there are 4 main editors that fighting to keep their magazines
running, and main editor doesn't means to write all the stuff alone, but to put
all the stuff together and to work out the surrounding and regular stuff too,
and on the other hand you have many, many people flooding bulletin boards and
forums, speaking there about everything and nothing and after all those guys,
that are fighting to keep their mags alive are the ones that are blamed for the
fact that their magazines are loosing ground, aren't that filled anymore and are
released in an unregular way...
Something is going wrong here and I doubt we, the diskmag editors, are on the
wrong trip as we do our best to support this scene, as diskmags belong to the
demo scene like the salt into the soup... And would you only use one spice to
make your meal tasting better?! Take three, Alive, Chosneck and UCM...
_.tSCc.__________________________________________________________moondog_o5/2k3_
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